Archive for October, 2009

Marco Klefisch / BLACKNUSS

Marco Klefisch / BLACKNUSS

How did your collaboration with BLACKNUSS come about?
I’ve known Giorgio Di Salvo for many years.
We share many of the same passions, and often we eat, travel and listen to music together.
For two years we developed the MARTE studio/project that is, as a consequence, culminated in the ‘MARTEDì’ book of illustrations produced by Drago publishing. I was involved in BLACKNUSS because of a certain inclination I have towards the creation of dark and disturbing images.
I believe that my work produced in ink in the last two years fits like a glove with the theme of the project.

Marco_Klefisch_Blacknuss_A
MarcoKlefisch_Guerrini_Blacknuss

The work of Blacknuss ( explanation and stories)
Blacknuss is the name of a disc and a piece by the extraordinary multi – instrumentalist Rahsaan Roland Kirk, record that I listened with Giorgio years ago.
The music piece has a prologue by the same Afro-American musician: “Now we gathered here on the universe at this time, this particular time to listen to the 36 black notes of the piano. There’s 36 black notes and 52 white notes. We don’t mean to eliminate nothin but we’re gonna just hear the black notes at this time if you don’t mind.”
I tried to concentrate on images that would offer a strong contrast in its style and content. Rather than the dark in itself, I’m interested in the contrast that amplifies it. All of my recent illustrations are based on image sampling or on the production of functional photos for design development.

MARCO_KLEFISCH_BLACKNUSS_D
MARCO_KLEFISCH_BLACKNUSS_C

Why is the theme challenging / a battle?
The comparison and the clashing of two generic elements exasperate the nature of subjects and highlight the differences and the dark sides.
This interests me a lot.

MARCO_KLEFISCH_BLACKNUSS_B

By Alberto Guerrini | traslated by Maria Adamo | images courtesy of Marco Klefisch &  2DM Management

Martino Gamper has 100 chairs

Martino Gamper has 100 chairs

“There is no perfect chair” claimed italian designer Martino Gamper when starting his project 100 chairs in 100 days back in 2005, now on show at the Triennale di Milano until the 8th of November. These 100 chairs, created by assembling parts of classic design masterpieces and unknown furnitures, are the proof of his uncommon and unique approach to the design process. With a fertile interest in other fields of applied arts, Martino Gamper creates amazing but coherent objects that are full of content that work as a three-dimensional sketchbook to rethink the practice.
Next to the chair installation is Total Trattoria, a temporary side event of the show where Gamper similarly mixes up basic ingredients to prepare dishes on spot to entertain his guests, sitting around the tables that he designed himself.

MartinoGamper_100chairs_10_09

By Alan Grillo Spina | image courtesy by Triennale Press Office

A Perfect Guide!

A Perfect Guide!

A Perfect Guide A/W 09 By Rodeo’s creative director Tim McIntyre features collaborations by Jodie Barnes and Daniel Riera on the streets of Barcelona, James Valeri and Paul Maffi on the streets of New York City, Ricardo Fumanal and Vanessa Coyle profile their 5 top models of the moment, Jason Pietra gains exclusive access to the fashion archive of London’s Victoria and Albert Museum, Michael Corridore travels to Tokyo and Joe Lally shoots male model legend Tyson Ballou.

PERFECTGUIDE_COVER_10_09

By 2DM Management | image courtesy of Perfect Magzine

Land of a thousand dances horses

Land of a thousand dances horses

I think that the best names for exhibitions are taken from songs. Only when the song choosen fits the exhibition mood and viceversa. Carlotta Manaigo’s Land of thousand dances horses, horses, horses, horses perfectly reflects the mood and the atmosphere of Patti Smith’s Land: Horses/ Land of a Thousand Dances album.
Carlotta develop the story through the pictures she took in Northern Europe and Southern France, surronded by dark and obscure places.

CarlottaManaigo_exibition

Land of thousand dances horses, horses, horses, horses
Vernissage 29th October, 18:30
c/o Le Stanze di Dimore
Via Solferino 11 – Milano Italy

By Enrico Grigoletti | image courtesy of 2DM Management | original pic from Carlotta Manaigo

Guest Interview n°9: Benedetta Barzini

Guest Interview n°9: Benedetta Barzini

_F9Q8537bassa

Who is the most surprising designer of the spring summer collection 2010?
No real surprises, honestly. Some demonstrate knowledge on cutting and sewing, but the style belongs to a melancholic past.

And who is the most telented?
I hate to place one above another. ‘Better than’ is not in my way of thinking.

There was a lot of criticism about the Milan fashion week this time… Why? Do you agree with this point of view?
In Italy there is no sense of solidarity or common sense. I’m not going into what designers and organizers fight over. It’s rather repetitive (somewhat like the clothings that come out of the Italian productions).

Milan, Paris or New York?
Milan is commerce. Paris is Paris, light years separated from the other capitals. New York is playing around with the aura it has of being the most exiting place to be in, so it created a personal way of dressing. New Yorkers indeed yearn for France.

How do you see the intersection between street fashion and catwalk fashion?
‘Street’ talks about being different from acting out and dressing exactly like all others . ‘Catwalk’ reveals and therefore projects what the inner thought of women-seen-through-men’s-eyes is about.

In the past you were a model. What do you think has changed in the last 20 years for better or for worse?
Modelling today is opposed to the Sixties: the market has developed at an incredible rate, the girls are used and thrown out at a good pace, fashion is a product and the show must go on, regardless of its meaning.

_F9Q8532+bassa

What is the most negative aspect of the fashion world today? And the best one?
No negative or positive aspects: it constantly measures the temperature of a collective form of distorted unreality and tells us where affluent society stands.

What we must absolutely recover from the past?
The values of slowness. It allows people to assimilate an idea, a dream, lots of important lost things..

You currently teach at Milan Politecnico. Do you consider internet a resource or a hazard? Do you use it for your lessons?
Internet. It’s an illusion of power, knowledge and contact. It really only gives you headlines whithout depth. It has the privilege of turning all people passive. I can smell it a mile away when a student just owns some internet notions.

One example to follow and one to avoid..
Figure out what you could think without using someone else reflections. Avoid plucking your eyebrows.

Describe your typical day.
I’m sort of lost these days, so there is no typical

Your speciality in kitchen?
I’m not keen on cooking, but I can make a decent vegetable soup.

By Silvia Bergomi | images by Matteo Cherubino

OSCURO SCRUTARE

OSCURO SCRUTARE

Oscuro Scrutare is the italian for Scanner Darkly which is, without any doubt, one of the best novels about drug subculture.
The dark and cryptic mood of the novel is the starting point of Oscuro Scrutare, an exhibition gathering young independent artists. Works from Tommaso Gorla, Marco Klefisch, Scarful, Luca Barcellona, Dem, 108, Allegra Corbo and MP5 will be exposed at Galleria Patricia Armocida in Milan and every work will be strictly in black and white (or b/w plus one colour).

Oscuro Scrutare
Vernissage 27th October, 6.30pm c/o Galleria Patricia Armocida
Via Bazzini 17 – Milano

oscuro_scrutare

By E. Grigoletti | Image courtesy of Patricia Armocida Gallery

Guest interview N°8: Jules Kim – Bijules

Guest interview N°8: Jules Kim – Bijules

Jules Kim is the brilliant mind behind the extremely innovative New York based jewelry brand BIJULES. Always forward thinking and never afraid to take risks, Jules is making a difference in the fashion world. Not only she has been prolific since her starters, but also Jules managed to introduce and get appreciation for some totally new products on the scene like the Bone Crusher Headbander or the Nail Ring (Beyoncè is wearing her custom diamond ones on her Sweet Dreams music video). Her designs convey concepts that reflect American propaganda for the empowerment of women, the innocence of childhood and the dark humor of adulthood.

We had a chat with her a while ago.

How did you start off Bijules?
I moved to New York to get involved in the fashion industry. I worked in PR firstly then began to spin records and throw parties to make ends meet…I decided to begin Bijules when working for other people was no longer an option. I have the drive and passion to execute my own ideas. If I don’t risk failure then I would never succeed in my own eyes.

What inspires your creative drive?
I think life in general is inspirational. Everyday is so different and fresh! I am a big music and fashion person. I also need to travel frequently. Staying in one place is boring and aesthetically draining!

You’ve been in the business for a while now although you’re quite young. How have your skills improved?
Wow! I’m young?! Yeah! I’ve learned to follow my instincts and react quickly to them. Working with other people and trusting them is difficult but once again, I have to let others help in order to be successful!

What are the learnings so far, I mean is there choices that you wouldn’t make now that maybe you considered worthy in the beginning?
At the beginning I promised miracles. Now I understand the limitations of being human and also the limitations of others.

How far do you want to go with Bijules and would you ever sell to an investor (which could compromise your creativity & make it suffer maybe)?
Hahah, hell yeah I’d sell…If I can do it once I can do it again! My work is an exercise for my future careers!

Your lingerie collection was astonishing. It’s more like seeing design objects then jewels that you would probably wear. How did you come up with that?
I need to push concepts and reshape the way people define objects. Lingerie is wearable but not formal, I wanted to showcase a woman’s intimate style over her clothing. I aim to redefine jewelry standards…if we defy we can define!

What advice would you give to talented young girls starting out in a career path similar to yours and following a dream?
I’d say DO IT. Don’t hesitate, and do things passionately. Don’t ever doubt hardwork because luck doesn’t exist for those who don’t work.

You’ve been to Italy quite a few times; how do you like it there? What’s good and what do you dislike?
I love Italy. I love the country and the people are so human and intimate. I dislike the fact that there are few immigrants and only Italians in positions of authority. I’ve witnessed some heinous racial discrimination by the police.

Ada_pixiejules_01

Text by Ada Korvafaj | image courtesy of Alessandro “Zuek” Simonetti

Dark days

Dark Days

Picked this up in Antwerp today, a great piece of work published by Marc Schoetens. His zine DRESSED IN BLACK dissects subcultures, gangs and movements via the lineage of one currency: an all-black aesthetic. From 19th Century gentlemen (writer Edward Bulwer Lytton) to goalie Lev Ivanovich Yashin – aka The Black Spider, famous for always wearing total black during a football game. As well as Zorro and Der Schwarze Block…

DEANMAYODAVIES_fanzine_ANTWERP

Text and image by Dean Mayo Davies

Galerie Jeanroch Dard /Quand je serai grand

Galerie Jeanroch Dard / Quand je serai grand

Two galleries celebrates their different anniversaries on 17th of October at Galerie Jean Roch Dard with a collective exhibition. Jean Roch Dard is at its first anniversary, while Galerie Emmanuel Perrotin is at its 20th birthday and they decided to give space to the dialogue in which contemporary art lies, facing two generations of artists coming from the two galleries. Each of the artists of Galerie Jeanroch Dard will create a piece in resonance with a pre-existing piece of their Perrotin partner. The main idea lying underneath this dialogue is echo, not plagiarise.

ELusso_Galerie_Jeanroch_deard

By E.Lusso | image courtesy of Galerie Jeanroch Dard

Lo que dura un Sueno

Lo que dura un Sueno

Don’t miss Fabio Paleari’s exhibition on 16th of October at Assabone Gallery from 7pm, Milan.
Living the night with celebrities is his speciality. This time, the photographer lived closely the Madrid cultural scene, getting along with many artists and intellectuals who gave birth to Spanish “movida”, such as the director Pedro Almodóvar, the actresses Rossy de Palma and Victoria Abril, the writers Camilo José Cela, Raimon Panikkar, Almudena Grandes, the visual artists Miquel Barcelò, Eduardo Chillida, Antoni Tàpies, Miguel Angel Campano, and flamenco characters like Camarón De La Isla, El Guito, Pepe Abichuela and Enrique Morente.
The exhibition runs between autobiography and reportage, showing the subjects in their own lives, inside and outside on Madrid’s streets, in a private and intense emotional diary.

webfabio

By E. Lusso

Next Page »


2DM website

networkerblogs on facebook