Archive for June, 2009

The Tip of The Sword by Jim Houser

The Tip of The Sword by Jim Houser

A very sharp exhibition like the tip of a sword we have to expect from Jim Houser. Member and founder of Space 1026 collective, Jim is at its first personal exhibition in Italy, after Philadelphia, San Francisco, Miami and New York.
In his tangled wall installations, physical space become a container of encoded thoughts and symbols which Jim Houser transfers on media and sculptures painted in wood, stone and clay. Recognizable and everyday objects moved from their conventional use and revised in a funny narration, just adopt a new meaning. Its procedure starts from a conscious translation of his environment into art, in order to obtain a rich iconographic blend of words, phrases and symbols to instance the human condition.
Don’t miss the vernissage and come to see 45 new artworks, canvas and paintings on wood and 4 site specifics installations on 1st July 6.30pm at Galleria Patricia Armocida. Exhibition ongoing until 31st July. E. Lusso

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PROENZA SCHOULER AT PITTI W

Proenza Schouler at Pitti W

PROENZA SCHOULER was the special guest at the fourth edition of the Pitti W_Woman Precollection event, which took place in Florence on 16-19 June 2009.

Launched in New York in 2002 by the designer duo Jack McCollough and Lazaro Hernandez,Proenza Schouler took the stage in a special event in Florence on Thursday 18 June, at the unique location of Villa La Petraia, to celebrate the mood of the spring/summer 2010 season. This marked the very first time that Proenza Schouler showed their creations in Europe.

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Contrasts in poetry and pragmatism are the distinctive characters: the collection blends a variety of disparate influences from 1960’s American art to post-minimalism, from Richard Avedon and Irving Penn to Dan Flavin and Donald Judd, always reinterpreted in their striking, contemporary vision.

Proenza Schouler has partnered with Art Production Fund on this special collection presentation/event: specific projects by artists Kalup Linzy, Haim Steinbach, and The Voluptuous Horror of Karen Black, with the charismatic singer Kembra Pfahler, helped to make the evening exclusive.
Silvia Bergomi

Mon bien aimé a passé la main par la fente…

Mon bien aimé a passé la main par la fente…

Mathieu Renard

Mathieu Renard is a multi-talented artist that works in Rennes. Founder of LENDROIT Galerie, Mathieu works with images, illustrations and words giving them a new meaning and a new aesthetic range.
Latest Mathieu’s works are now featured in “Mon bien aimé a passé la main par la fente, et pour lui mes entrailles ont frémi”, a 52 pages book printed on 120gr silver and silverpink paper.

Mathieu Renard
Mathieu Renard

“Mon bien aimé a passé la main par la fente, et pour lui mes entrailles ont frémi” is a great, strange, and fascinating wide open window to a new sexual world. This book could be seen as a new kind of sexual handbook… porno chic and porno cheap at the same time”.

The first edition of “Mon bien aimé a passé la main par la fente, et pour lui mes entrailles ont frémi” comes out in 100 copies available at Kaugummi Store.
E.Grigoletti

Elisa Nalin on Way Of Women

Elisa Nalin on Way Of Women

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Verona is usually know as the perfect place for lovers, as its legendary iconic Romeo&Juliet balcony just represents our most dreamt and unforgettable feeling. She’s tasting a lot of this love now, even if she left the city more than 8 years ago to move to Milan and then to Paris: Elisa Nalin is one of our more outstanding stylist and Fashion Editor of Crash Magazine, celebrating its 10 years anniversary.
You can have a wide overview on Way Of Women about Elisa’s life and places, her relationship with fashion and creativity, her clashing feelings between Verona and big cities, travels, friends and cooking, among a big passion: fleamarkets in the wek-ends! E.Lusso

CLAUDIO CASSANO: Show de Bola!

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invitation designed by Davies Costacurta / SM

UOMO VOGUE out NOW!

UOMO VOGUE out NOW!

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On the last issue of L’ Uomo Vogue Pablo Arroyo captured irriverent portraits of M83, an electronic music act consisting of Anthony Gonzalez (and formerly Nicolas Fromageau) and the young trio…Revolver!
To see it visit 2DM website.

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Guest interviews n° 2: Remy Holwick

Guest interviews n° 2: Remy Holwick

Hi Remy, may u describe your job, including the best and the worst aspects?

I’m a lot like a brand in the sense that I do and make a lot of different things, but they all kind of fit together. I own a clothing line, Beg Borrow Steal, that I’m launching with Urban Outfitters next week.  It is tees and knitwear featuring my black and white artwork. I also just did a lot of artwork for Fox Riders Co. womens’ line for summer 2009, I draw comics that are on my website, www.remyholwick.com, and I paint. I just had a piece of my art sold in a charity auction at Upper Playground LA, to benefit Stoked, a program that encourages youth mentoring through action sports. I’ve also been a model and continue to work with friends.
I love my job because I am my own boss and get to decide where I will go next and what I will do next, and I get to experiment and try out a lot of ideas, but that is also the scariest part of it. Because I make all my own decisions, I have no excuses if I fail. When I was modeling in New York, it was a wonderful luxury to have an agent make sure you did everything right, and be there to explain things away if you didn’t. Now my direction is all mine, and my successes are all mine, but my failures are all mine too. It’s frightening!

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How does music influence your work?

I love music. Growing up, I worked at the only independent record store on our tiny island, so I got exposed to a lot of music that most teenagers from my generation didn’t get to hear– everything from Roxy music to Hank Williams and Johnny Cash to Captain Beefheart’s magic band. It was eclectic! Of course, I also loved the grunge and rock from that era. I always loved Billy Corgan. I love to illustrate songs and lyrics that speak to me, because music affects me really profoundly when I listen to it: lyrics put these really lush pictures into my head, and I love the challenge of communicating them on paper.

Where do you find your inspiration?

SilviaBergomi_Remy_L.A

So many things!
First, my past. My family was very bohemian– my father was a painter and my mother was his muse– so our family had such wild friends and experiences. I grew up with my mother and sister in Hawaii in this very funky little hippie-style ranch– the bathtub was outside, under the sky!–  so my upbringing, thinking back to images of that era and of my parents era, right now inspires me a lot.
My father, Wayne Holwick, was a painter, and his art also inspires me, not just the images, which are beautiful and tragic and incredibly well-made, but also his story. It ties back into my upbringing, and is part of my past, but his story is its own incredible series of events. I hear stories of how he used to hang with Bob Dylan and it makes me so jealous! He was also a very brave artist: he took a lot of risks with his work, and he succeeded, which amazes me, and was a crazy, beautiful individual.
My personal friends also inspire me endlessly, they are all in the arts and fashion. Gary Baseman, Lydia Hearst, and so many other people are all close friends of mine who have these incredible, inspiring drives to succeed personally and also to do good for those around them. I see them all working so hard to do these amazing things, and it makes me want to do the same!

Do you have a past modelling career, isn’it?

Modeling was amazing. I got to work on such wonderful things! The highlights were certainly shooting American Vogue, four covers for D, two incredible campaigns for Calvin Klein, and my first time meeting Mr. Armani before his shows, when he was giving a tour of his building while I was being fitted with an evening gown, and he just kind of gently took me by the shoulder out of my fitting and showed me, in the dress, to whoever it was he was entertaining. Amazing!
Before I was a model, I did art, but I also waited tables. I thought that was what I would be doing for ever, or at least, I never knew really what I could do beyond that. Being a model taught me that I could push myself farther than I ever thought I could, and it made me believe in myself and showed me the value in taking huge mental risks. Fashion and modeling are very glamorous professions, but it was a huge change for me and it was hard work, doing all that traveling and showing up to work in London at ten at night, trying so hard not to be tired even though I’d maybe just finished a job in Paris three hours prior! Also, I am definitely a “personality”. I talk a lot and ask a lot of questions, and I had a kind of punk-rock style, with short hair and tattoos and piercings… I think it made a lot of people take notice, but it also made it hard for me personally, because I was sort of crazy compared to these beautiful gazelle-like girls, with very sweet natures and long legs and long hair, and it took me a long time to understand that I could put on a Chanel dress and still be “me”, and that image had its own valid place in fashion. That was the best lesson of all, though; learning that I did have a place in all that craziness. It was a huge confidence builder, and it allowed me to be more of an adult and less concerned with silly things, and less self-conscious. I also had an amazing agent, Neal Hamil, who taught me that I should be exactly who I was, and that it was better for me to be myself and enjoy it than to try and compare myself to every other girl working and be nervous because I wasn’t them.
Now, I love the fashion industry. I still model for my friends, and of course I have my clothing line. I just directed our first campaign shoot. It was awesome!

SilviaBergomi_Remy_modeling

Tell us about your mum role?

I hope I can someday be as incredible as she is!
My mother, Debra Morrill, was such a glamorous woman when she was young, beautiful and well-traveled, with incredible style and a real ease of being that somehow was never at odds with her great strength (she is the strongest woman I have ever met). She is an extraordinary parent, she raised my sister and I by herself, and sent us both to university even though she never went. She sacrificed a lot to make sure that we had a better life than she did, she has always been supportive of us, even when we don’t succeed as well as we might have.
Now that I have a son I appreciate how hard that must have been, and it makes what she did seem even more amazing.

SilviaBergomi_Remy_mamma

You & L.A.?

I was born here, so of course I love it (and LA is such a big place)! I just learned that California is the world’s eighth largest economy, so it almost feels like its own country, and LA is our biggest city. It is sprawling and huge, and some parts are very cosmopolitan while others are very laid back. Because of that, I really find here that I can be exactly who I am and not be boxed in by the limitations of the city… so if I want to go out for dinner with my fashion friends one night in Hollywood, and then the next day take my son out to Echo Park to hang out with our artist friends on the porch, so be it! Silvia Bergomi

Claudio Cassano Soccer Heroes on Show De Bola

Claudio Cassano Soccer Heroes on Show De Bola

Show de bola (Football Show) in Brasil is an informal exclamation to define something very beautiful, spectacular, that feels good and it’s loved by everybody. After its initial use for excellent football performances, the term is now used for every positive and beautiful thing.

CASSANO The Ronaldos

The eclectic art of Claudio Cassano is the conjunction between the traditions of neoclassical technics, builded over Academical studies, and contemporary neo Pop languages, developed in time with a long list of collaborations and clients: from his creations for Nike, Fiat, Yamaha and Casio, to pubblications on Vogue, Dazed and Confused, Nylon, Bon, Ryuko Tsushin; until exhibitions at Colette in Paris, BBS in Tokyo and Diesel Gallery in New York.
This new exhibition project by Claudio Cassano and sponsored by 2DM presents a series of brand new artworks linked to soccer world imaginary and its surroundings.
By choosing as protagonists few football players and sport events, Cassano blended together his pictorial arts with photography and video under a Neo Pop imaginary, usually perceived as low profile such as the web: amatorial clips in Youtube style, still life pictures that remind Ebay’s selling articles aesthetics, searched pictures from Google that are re-edited, used and re-interpreted.
A visual logic that jokes around football players homonymies, following their crossings through different teams, around their quite Kabalistic numbers worn on the t-shirts. This create a new universe adding to the artist’s classic artworks characterizing his previous production of large scale’s paintings.
An important part of the exhibition is linked to a particular iconographic vision of the player’s jerseys, and a lot of attention is driven on homonymies between Antonio Cassano and the artist, between the two Ronaldo and Ronaldinho, in add to David Beckham, who take part in the group called “The Ronaldos”.
Based on logics about players and numbers, the jerseys are reproduced in big size photography compositions: “Mosaico Soccer Kabala” that recreates huge contemporary mosaics, shown in modular way like you can find on supporters memorabilia stands that sells soccer items outside the stadium.
In the sculpture installation called “Walz Disnee Superstar” few football players are transformed as big peluche monsters in human size, caught as in still frame in the middle of a spectacular action.
A female character, the Muse of the artist, finally joins and makes his comparison in these atmospheres: she’s the subject of some paintings but she’s also the meaning role of the video “Saint Jordi & the Dragon”, in which she faces from the border of the football field the moves of Cristiano Ronaldo during the semi-final of Champions League Barcellona – Manchester United (this match has been disputed also this year in the final).
Through clear references on mass products from Andy Warhol and on Marcel Duchamp’s Ready Made, Cassano use Duchamp’s voice for his sound installation, generating a radio-cronicle on art lessons, edited together with digital recording sounds kept from stadiums, like supporters chorus. Monday 22nd June don’t miss the vernissage at P4, Via Pestalozzi 4, Milano from 8.30 pm! C.C.&E.Lusso

Cassano St Jordi e Musa web

Le Raclet: A SCREEN PRINT SHOW

Le Raclet: A SCREEN PRINT SHOW

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“Le Raclet” is a studio specialized in silk-screen manual/printing technique for illustrations, printing paper and t-shirt graphics.
The project was born in Milan, where it became a point of reference and meeting for young and famous artists, coming from illustration, graphic and street art world.
Over the years the studio gained attention for the maniac care in the processes of silk screen printing and the choice of products with low impact.
The great attention given on quality prints, all limited to few items series, the special precision and the research and testing of alternative print methods make any work extremely elaborated.
Friday, 12 June 2009, at 18 pm Le Raclet opens in new study in John Battista Bertini 5, Milan.
The event will be hosted at the Mutado group location where “Le Raclet” Studio will reveal his creative laboratory. Throughout a screen print show the audience will attend the presentation of 7 unpublished silk-screened by hand prints, all part of limited editions, which represent the work of important exponents of the contemporary street culture: like 2501, Marvin Crushler, Dem, Ozmo, Remed, Fefe Talavera, Zosen… Silvia Bergomi

More info: www.leraclet.com

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0_100 is a 16 pages, digitally printed fanzine focused on contemporary photographers. Each issue comes out in a very limited edition of 100 copies in a A5 format.
With the publication of their 4th release, 0_100 celebrates his first anniversary so come and meet them today at 6-30 p.m. c/o: X 4 (Via Porro Lambertenghi 25, Milano). Enrico Grigoletti

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